Maybe I Should Become An AGI Ethicist

by Shelt Garner
@sheltgarner

One of my favorite characters in fiction is Dr. Susan Calvin, robot psychiatrist. Given how many short stories there are to potentially adapt, I have recent come to believe that Phoebe Waller-Bridge would be the perfect person to play the character in a new movie franchise.

A future Dr. Susan Calvin?

I am also aware that apparently one hot new career field of late is being an “AGI Ethicist.” But for, well, (waves hand) I think I would be a great one. I love to think up the worst possible scenario to any situation and I think a lot. But I’m afraid that ships has sailed.

I’m just too old and it would take too much time to learn all the necessary concepts surrounding the field to do formalize my interest. So, it’s back to being an aspiring novelist — if human novelists are even a thing by the time I try to query this novel I’m working on.

Given we may be about to enter a severe recession in 2023 and recessions are usually when there’s a lot adoption of new technology…I may not be too hysterical to fear novelists may be quaint by late 2023 – early 2024.

It does make one think of what jobs will still exist if you combine AGI, automation and robotics. These are macro trends that are all coming to a head a lot sooner than any of us might have otherwise expected. Given what’s going on with chatbot technology the current moment in time definitely seems like the quiet before the storm.

The years 2023 ~ 2025 could be some of the most significant in human history if we’re trying to solve the political problem of Trump at the same time the Singularity is happening all around us. Good luck.

Pondering What Is Known About ‘Indiana Jones & The Dial Of Destiny’

by Shelt Garner
@sheltgarner

From the title alone, it seems as though there may be some time travel involved in the latest Indiana Jones movie. But for me, the really intriguing element to the movie is the status of Phoebe Waller-Bridge. It sure would make a lot of sense for her to take up the fedora for a continuation of the franchise in some way.

While from what I’ve read of these things, both Harrison Ford and the producers of the film say this is not the case — so goes Ford so goes Indy — I still have a suspicion that they’re at least going to dangle the idea of Waller-Bridge somehow being an Indy-like character going forward.

Of course, if she did, the usual culture warrior suspects would come out of the woodwork to scream at the top of their lungs that the “woke cancel culture mob” is destroying yet another beloved American institution. But I would be all for Waller-Bridge being our new Indy.

I think she’s got exactly what it takes to for the role. I just don’t know how they would manage to shoehorn her character into the “Indiana Jones and the…” nomenclature. I suppose they would just keep “x and the x” system of naming in the spirit of the Ford-helmed films.

It would be interesting to see a Waller-Bridge type character doing Indy-style gallivanting in the 1970s and 80s. But I suspect what MIGHT happen, is if there is any recasting that we would see a hard reboot of the franchise in the guise of someone playing a “young” Indy having adventures in, say WW1 or so. I know there were the “Young Indy” adventures, but I’m thinking something closer to whatever the character might have been up to in their 20s.

I don’t really know the chronology of the character, so, lulz.

Having said all that, I still think Waller-Bridge would be a great Dr. Susan Calvin. There are the short stories in that universe that could be adapted into movies, my favorite being “Liar!”

But, anyway, lulz. No one listens to me.

What Are They Up To With The New Indiana Jones Movie?

by Shelt Garner
@sheltgarner

It has been pretty obvious the last few Indiana Jones movies that they REALLY want to transition to a new actor as the central figure in the franchise. Harrison Ford is old and there’s going to come a point when if they’re going to continue with the movies someone is going to have take his place.

The New Indy?

And, yet, there’s a problem — the Indiana Jones franchise is very beloved and everyone thinks of Harrison Ford’s Indiana Jones when they think of “Indiana Jones.” So, they have to think of some way to keep going without him.

I heard a stray remark somewhere that the next Indy movie is about time travel. And given that Phoebe Waller-Bridge is involved it seems possible….that they might literally make her Indiana Jones via time travel? Maybe some sort of multiverse event happens and Indy is a girl instead of a boy at birth. Then our universe Indy meets this new version of himself in the past and not only does hilarity ensues but there’s a way for them to keep the brand name.

Of course there would be a huge uproar amongst conservatives at such an offense, but, lulz, there’s money to be made. And there are worst things to happen than to have Phoebe Waller-Bridge play a female Indy in a few movies. Though I still think she needs to play Dr. Susan Calvin, robot psychiatrist. She’s perfect for that role.

Anyway, this is all very much speculation. But something’s gotta happen unless they’re going to start using de-aging and deep fake technology to put Harrison Ford’s face on some other actor’s body. Strange things have happened in movies, I suppose.

Make A ‘Moonlighting’ Movie With Phoebe Waller-Bridge & Ryan Reynolds, Please

by Shelt Garner
@sheltgarner

Since Hollywood is all about using existing IP and not having a single original idea, why not make a Moonlighting movie with Phoebe Waller-Bridge as Maddie Hayes and, say, Ryan Reynolds as David Addison.

It would be great. The show itself was really surreal at times and one could make the argument that Reynolds is nothing more than Bruce Willis with a few tweaks for modern audiences. And Waller-Bridge playing the uptight Hayes would be a great way for her to show comedic range.

No one listens to me. And, maybe they shouldn’t. But it is an interesting idea.

The Tragic Missed Opportunity of ‘No Time To Die’


by Shelt Garner
@sheltgarner

I’ve written about this before, but I’m drunk and irritated and so here we go. It is well known that Phoebe Waller-Bridge was brought in to punch up the No Time To Die screenplay.

You can occasionally see glimpses — I think — of her input in the movie’s third act. So, here we are — Bond has a family (at last) and his daughter is in danger as the Range Rovers are bouncing around in the forest. This was the point in the movie when I found myself the most engaged — I was leaning forward in my seat as I saw this, wondering what was going to happen next.

And, what happened next was not much. We’re invested in this unique situation for Bond — having a family — and THEN nothing happens. His daughter bites the villains finger and she escapes. That’s it.

I mean, that’s it.

There was so much more that could have been done with the concept of Bond Family Values. You could have had the little tyke prove her mettle in any number of different ways. It would have been really cool. This is even more so given that they’re going to kill of Bond (or a little while at least.)

And, yet, I still love the Bond franchise I understand why this happened. Bond is supposed to be lightweight summer blockbuster fun. So, lulz. But I do wish the Bond producers would at least think about making the next Bond a lot like The Dark Knight.

Anyway. No one listens to me.

Of ‘Fleabag,’ ROKon Magazine & Daydreaming About Jennifer Lawrence In The Movie Version Of This First Novel


by Shelt Garner
@sheltgarner

I really need to shut up about any potential movie adaptation of a novel that’s not even finish yet. But, lulz, I’m a nobody and the only people who read this blog are stalkers or people who stumble across it for this or that reason.

Phoebe Waller-Bridge

It’s the murder of a Fleabag-type character that ultimately serves as the catalyst for the dramatic transformation of small Southern town I’ve come up with. I’ve mentioned that Bella Thorne would be ideal to play the character in any movie potential movie adaptation, but I have a huge ego and, as such, I realize what I really what is Jennifer Lawrence to play a person that Bella Thorne could play just by being herself.

LONDON, ENGLAND – DECEMBER 01: Jennifer Lawrence attends a photocall for “Passengers” at Claridge’s Hotel on December 1, 2016 in London, England. (Photo by Anthony Harvey/Getty Images)

The character is inspired — even based on — the late Annie Shapiro who was, in her own way, at least somewhat like Fleabag. (This is really stretching it, but Fleabag is a character everyone understands when you invoke it and as such, that’s why I’m using it.)

The late Annie Shapiro. RIP.

Annie Shapiro was a very, very unique person. And I’ve been trying to tell our story in the context of ROKon Magazine in Seoul for the better part of 20 years now. But I’ve finally accepted that it’s just not going to happen. So, instead, I’m using things I know to be true and pouring them into a five novel series set around something else I know to be true — what it’s like to live in a small Southern town.

So, I guess what I’m saying is, in my mind, the character whose murder changes everything is a mixture of Annie Shapiro fused with Fleabag as played by Jennifer Lawrence if she was channeling Bella Thorne.

Bella Thorne

Anyway.

Of Bella Thorne & The Influence Of ‘Fleabag’ On These 5 Novels I’m Developing & Writing


by Shelt Garner
@sheltgarner

I really love Phoebe Waller-Bridge’s “Fleabag.” So, in the back of my mind as I work on these five novels, I think about that character in the context of the character who is really the source of all the chaos that attacks the little Southern town I’ve come up with.

So, let me lay out what’s going on. The first book starts about 25 years ago. And it’s about the events leading up to, and the immediate consequences of, the murder of a Fleabag-like young woman. Or, put another way, imagine the damage Fleabag might cause if you plopped her in a small Southern town 25 years ago.

A lot, is what I believe.

(If I was going to cast this particular character in a movie adaptation of this book, it would be Bella Thorne. She’s perfect.)

But the point is — the character did not deserve what happened to her, even if she was really causing a lot of problems for people in the town. And, as such, the five novels are about how one person’s has value. The over-all, macro arc of the story is about how each one of us has value as a human being, pretty much no matter how bad our behavior. (Within reason, of course.)

So, I like I toying with the implications of Fleabag-like character “coloring outside the lines” leading to her murder in a small town and how everyone has to deal with with the consequences over the course of a generation.

That’s the creative itch that keeps me obsessed with these five novels. That and the idea that by the time readers get to the four and fifth books the allegory for Trumplandia that I’ve come up with makes total sense. Of course that’s what would happen, I want readers to say to themselves when we discover how fucked up the small Southern town I’ve come with is by that point.

Call your agent (one day.)

But we are talking about five novels. Things are moving really fast at the moment — I’m currently at about the fourth chapter mark of either a really good first draft or a mediocre second draft. Let me be clear, however, I’m pretty much doing this in a total vacuum.

I don’t have a muse. I have no one to talk to. No one likes me and I have no friends. But I can tell a Goddamn good story. So, lulz, only time will tell, I guess.

Phoebe Waller-Bridge As America’s British Sweetheart That Never Was


by Shelt Garner
@sheltgarner

Phoebe Waller-Bridge is in a unique position. If this was 20 odd years ago, she would be sorely tempted to go the romcom route. She might star in three or four middling romcoms before she finally found her ground and become a huge star who could go any direction she wished.

I will note at this point that I have a great concept for just the type of comedy that I think Waller-Bridge would do great in. But I don’t even know how to use Final Draft and I’m working on five novels, so lulz. But the high concept is Wedding Crashers meets, I dunno, Cheers? It’s an innately funny concept and I’m, sadly, not that funny. But maybe I’ll get around to writing whenever I figure out how to use Final Draft.

Anyway, romcoms are pretty much dead as a genre at the moment and, as such, Waller-Bridge was born to late to take advantage of how huge she could have been in the romcom world. And, given that she’s an excellent writer, she probably could have made those middling romcoms a lot better than they might otherwise be.

As a side note, I just remembered how she’s supposed to be in the next Indie movie. That could really open a lot of doors for her career wise. And, yet, I still think she needs to have her own action-adventure vehicle for her career to be taken to the next level. I think she should star in a remake of Time Bandits. That would be so cool.

As always — no one listens to me.

Phoebe Waller-Bridge As Action Star


by Shelt Garner
@sheltgarner

This seems like something of a gimmie, and up until recently Phoebe Waller-Bridge was set to star in a reboot of Mr. & Mrs. Smith that would have put her in a position where she could do as I’m about to propose: an action star. But she pulled out of the project for some reason, so lulz.

But I think Ms. Waller-Bridge has a lot of potential as a female action star because her comedy is very much Bruce Willis in Moonlighting. He was not the first pick for the lead in Die Hard and I think Ms. Waller-Bridge could be a huge, huge action star under the right conditions. She has the John McClain wise-cracking vibe to her, only with a British spin to it.

Hollywood’s next great action star?

She obviously can make Americans laugh, as shown with Fleabag and I think all she needs is the right vehicle and her career will go to the next level. Now, I would be remiss if I didn’t also point out that I think she would make a great Dr. Susan Calvin, robot psychologist.

I could see that being a whole franchise for her — there are oodles of short stories about Dr. Susan Calvin waiting to be adapted. My favorite is “Liar!”

I have no idea if anyone else realizes Ms. Waller-Bridge’s potential as an action star. Only time will tell.

[Spoilers] The Third Act of ‘No Time To Die’ & The Potential Influence Of Phoebe Waller-Bridge On The Screenplay


by Shelt Garner
@sheltgarner

I really liked No Time To Die. I only rolled my eyes a few times and checked my watch a few more. And I only once felt the need to think about leaving the theatre in mid-film. For me, a person who walks out of movies constantly, that’s a big deal.

But it’s the third act of the movie I want to talk about.

It’s in the third act that the stakes are raised and a child’s life — Bond’s daughter — is put in harm’s way.

It’s in the third act when something about how unfocused the movie is becomes clear. Somewhere in the movie’s nearly three-hour run time was an even better movie, waiting to come out. The emotional highs and lows of the movie were blunted by how muddled it all was.

I think it was so muddled because that is the point of a Bond movie. You go to a Bond movie to have a good time, not to really get your emotions played with. But had they wanted to make not just a Bond movie but a Bond “film” they could have focused a lot more on the implications of Bond having a family for once in his life and what he was willing to do to save them.

As it is, we’re introduced to his daughter as a plot point, she’s put in danger and then…she escapes because she bit the finger of the villain? What the what? It was a huge letdown.

You have something unique in the Bond franchise — he has a family to protect — and in the end the whole thing is dismissed in a rather ham-handed manner. There was not nearly the emotional pay off that it could have had.

Phoebe Waller-Bridge

Maybe I’m seeing the influence of Phoebe Waller-Bridge? But because she was just punching the screenplay up and wasn’t the main screenwriter, we just saw glimpses of the far more powerful movie that could have been? I dunno. But it definitely is weird that something so potentially powerful — Bond with family — was introduced and then not a lot was done with it.

As I mentioned, I think some of what I’m noticing is just something that is basic to the Bond movies on an existential basis. We don’t really expect them to be No Country For Old Men or There Will Be Blood. There’s just a fun way to entertain yourself for a few hours.