Tag: Millennium Series

I’ve Tentatively Locked Down The First Chapter Of The Third Draft Of The Novel

by Shelt Garner
@sheltgarner

I have handed out the first chapter of the third draft of the novel in an effort to sort of force my hand. I have to lock down things sooner rather than later or I’ll wake up in a year an be exactly where I am now.

My goal is to write a novel as popular as The Girl With The Dragon Tattoo.

So, I am going to chill out for a little bit today then sit down and see if I can flesh out chapters two and three. Then, I can use the first three chapters as a cornerstone for the rest of the novel and things will go really, really fast. That’s the hope.

The big issue is word count. At the moment, I’m hoping to come in at no more than 140,000 words. My fear is that I’ll be closer to 200,000 words. If that happens, then I’m going to split the novel into two.

A first novel with 200,000 words is just too fucking long. I would never be able to get a first novel of that length published. So, like I said, splitting the novel into two would probably be the best option.

And I also need to start working on the various scifi novels I have floating around in my mind. I really need to stop daydreaming about these stories and start writing them.

Once I Stabilize The First Three Chapters Of The Third Draft Of This Novel, Things Should Move Really Fast

by Shelt Garner
@sheltgarner

I am so close to stabilizing the first three chapters of this novel to the point that things might start to go really fast. One huge problem I face is I’ve so forked the story from what it was intended to be in the second draft that I have a huge amount of writing, rather than editing, ahead of me.

My dream is to write a novel as popular as Stieg Larsson’s The Girl With The Dragon Tattoo.

I’m going to have to just throw everything up in the air and reimagine a lot of the novel on a specific basis, with the third act really being something I have to work on. The third act of the second draft s u c k e d. It was horrible. So these days I spend a lot of of my time thinking in the back of my mind about how I can straighten out some serious problems in the third act.

Anyway. My storytelling and writing ability have both gotten significantly better. Some of it is I’ve being using AI some to help develop the novel — but not write it — because I’m doing everything in a vacuum and I have nothing to go on but my gut.

And sometimes my gut just doesn’t cut it.

But, in general, I’m very pleased with what I’ve managed to come up with. One key thing I have to do is stop being such an absolute perfectionist. The point is to finish a third draft THEN go back and edit it some. This business of forking the Goddamn thing all the time has got to stop.

A Day To Reflect

by Shelt Garner
@sheltgarner

I was running hot with the novel again so I’ve decided to chill out today. I’m already seeing results because when I casually looked over the novel some today I saw a number of ways to make it better that I had not thought of before.

No longer a bar fly.

I continue to be clean sober. That I am able to pull this off so abruptly is a testament to, well, my desire to live. My already know my blood is apparently sludge, which is a “Not great, Bob” situation. And I would prefer not to drop dead like Stieg Larsson did at 50.

I would prefer to live long enough to see the “cool stuff” of selling a successful novel.

I’m also watching the latest iteration of the Mr & Mrs. Smith franchise. It’s…ok? I’ve just started. It’s just so difficult for me to consume ANY media that I didn’t produce. So, so very difficult. But I’m forcing myself to go outside my comfort zone so I can get some sense of what modern audiences want, not the audiences of 20 years ago when The Girl Who Played With Fire came out.

Success equal to Stieg Larsson’s Millennium Series is my dream.

One thing I don’t like about the TV show already is it uses the “interview the characters” trope as a form of exposition. It’s cheap and often used to expedite the story because you don’t have to “show” character traits. But, so far, the story is good enough for me to continue to watch it.

I also plan on doing a lot of reading, too.

I may — MAY — expand my little creative reset to Sunday afternoon to mimic what would happen had I gone to NYC. I don’t know yet. There is a balance between recharging my batteries and losing momentum.

An Issue Of Verisimilitude

by Shelt Garner
@sheltgarner

If I ever needed a clear sign that, in general, no one takes me seriously, it’s my overall failure to get anyone from my past life with the press industry to answer my call for help about something. (I finally got one person, but that’s really not very many given how many people I reached out to.)

The issue is, I really want to make the situation I’ve come up with for my heroine — that she owns both a strip club (where she occasionally strips to relax) and an alternative weekly — as real as possible. Like, how would that REALLY work out, especially in mid-1990s Richmond, VA?

I’m WELL AWARE that because of human nature and the needs of marketing, that there is a real risk that this novel would be reduced down to two tropes being fused together — “hooker (or sex worker) with a heart of gold” and “sexy slutty assassin” solves a murder mystery.

I think about this even more given how many men my heroine beds in the first act for the purposes of the plot. All the sexxy time is not gratuitous and definitely serves the overall plot. And, in general, I don’t even really show the spicy stuff that much. I do show it some, but it’s hopefully not so much that people get turned off.

And, what’s more, I’ve cut back the sex in the second act. I don’t know, but I think that best practices for storytelling is you delay sexxy time as much as possible. But, lulz, I never do anything the right way.

But the story is getting much, much better in general. I’m really pleased. But I have to prepare for people to attack me for how much sexxy time there is in the novel. While I’m very sex-positive and don’t see my heroine’s sexual activity as “slutty” I’m afraid there will be some people who think I’m replicating Debby Does Dallas with how my heroine seems to have so much sex on the fly.

Ugh. Anyway. Wish me luck.

Things Are Getting Really Good With The Third Draft Of My First Novel

by Shelt Garner
@sheltgarner

This afternoon, I plan to plunge back into editing and rewriting (as necessary) the first three chapters of the third draft of my first novel. I also hope to do some reading and watching of some TV / movies. I’m really, really pleased with what I’ve managed to come up with for this third draft.

I dream to have a level of success equal to “The Girl With The Dragon Tattoo.”

The issue is, of course, that I need hurry the fuck up. I can’t just keep screwing around. Any number of things could happen in the next few days and weeks that totally throw everything up in the air or, at a minimum, dramatically change the context of this project.

But, for the time being, all systems are go.

I’ve given myself a few days of pause to recalibrate things and now I’m ready to go again. I hope to wrap up the first act of this novel ASAP and get into the second act.

There remains the issue of word count. At the moment, I have a first act that is equal to the first half of the second act — which, itself, is really long. So, it’s possible that, at least on a scene basis, that I’m going to have a really long first half and the second half will be a lot shorter — which, I hope, means it will read faster.

I continue to do all of this blind — I have no idea if I’m going it right or not. I may have a “reader” of sorts now — an older man who is at my dad’s nursing home — but I don’t know yet. Just having someone to read the novel as a second pair of eyes will be great.

But I have been disappointed so often that, lulz, I just don’t know.

I Think About Women Readers A Lot As I Write This Novel

by Shelt Garner
@sheltgarner

I do not purport to have any special insight into the female mind, but I do, at least, try to cater to that segment of the reading audience as I write this novel. I do this especially given the edgy, loaded nature of the novel.

I hope to write a novel that is as accessible as The Girl With The Dragon Tattoo.

It’s not every day that your heroine is a part-time stripper.

Now, of course, if I was, say a transgender women writing this type of novel, then I probably be hailed as the second coming of Jesus Christ. But, alas, I’m just a smelly CIS white male — a middle aged one at that! — and, as such, slings and arrows and all that.

I have a vision for this novel and, as such, I’m prepared to take shit for what, of course, will be reduced down to “stripper solves a murder mystery.”

Ugh!

That’s not what’s going on! But no one is going to listen to me. Anything to do with sex and women — especially something out of the ordinary — is the thing that people will focus on. And that doesn’t even begin to address the issue of how Hollywood would market any adaptation of the novel should that miraculous thing somehow happen.

Anyway.

I’m really self conscious about how women readers might react to this novel to a fault. I have a few women “advisers” that help me when I feel a little bit nervous about this or that thing that I might broach in the novel while writing from a female POV.

But, like I said, I can only do so much. I’m a smelly CIS white middle aged male and a vocal minority of the reading audience will dismiss the novel the moment they see what I look like.

Write, Write, Write

by Shelt Garner
@sheltgarner

I wrote a great deal this afternoon wasted as fuck. I realize that is not exactly the greatest writing philosophy, so I need to kind of chill out on that front. But this novel is getting really, really good.

I’m very pleased with what I’ve managed to come up with.

But there is one issue — I’ve kind of forked the novel AGAIN. The novel is getting a lot better, but now that it’s forked, I can’t just go through an edit things. I’m going to have to tinker and rewrite and restructure things, which will force me to slow down a great deal.

Which, of course, sucks.

I’m trying to speed through things as quickly as possible and all this fucking forking isn’t going to get me to my goal of finishing the third draft by April. I just don’t know what to tell you — I’m trying to make this novel as quickly as possible but it’s just one of those things.

I hate to admit it, but I’ve felt a lot more creative drunk.

I Really Need To Think About Women’s Reaction To My Heroine Being A Part-Time Stripper

by Shelt Garner
@sheltgarner

A lot could go wrong with this novel. I definitely fear someone will steal a creative march on me, if for no other reason, I’m just taking too long. But there’s not much I can do about it. Rome wasn’t built in a day and it’s just taking me a lot longer than I thought to get as far as I have.

But what’s interesting to me is the very thing that makes this novel a bit…edgy…could also be what makes it a success. I am WELL AWARE that because of marketing and human nature that this very interesting situation I’ve come up with will probably be boiled down to, “stripper solves a murder mystery.”

Ugh. That’s not at all what’s going on, but, lulz, what can you do.

But I do think that my heroine is beginning to approach Lisbeth Salander levels of interesting. She could very well be something of an icon if I play my cards right. And the thing that I keep being reminded about is how the interplay between my heroine’s “normal” life of owning an alternative weekly and her “alternative life” of owning a strip club / stripping to relax is something I need to lean into if I’m going to introduce the idea in the first place.

That’s what people — especially women willing to humor me by reading the damn novel in the first place — are going to want to see the most of.

The daydream issue of how Hollywood might address this novel occasionally gives me pause for thought. The obvious way to market the movie is something along the line of the old Pam Anderson movie “Barbwire.”

Double ugh.

The point of the story is not the T&A element of the story, but that by heroine is a woman who has sexual agency and self confidence enough that she is able to be a stripper to relax without giving it much thought.

It’s everyone else — especially horny men — who are the problem.

Anyway, I continue to work my way through the first act of the third draft AGAIN. Hopefully, this time, I will still have momentum enough to make my way through the second and third acts when the time comes.

Well, *I* Think This Novel Is Getting Pretty Damn Good

by Shelt Garner
@sheltgarner

I’m in full swing editing and rewriting the first act of this novel as I prepare to get into the second act and things are going surprisingly well. Thinking about what I know about this novel in my mind, the big takeaway is it’s just not scary or twisted enough to be directly compared to, say, Gillian Flynn’s “Gone Girl” or Stieg Larsson’s “The Girl With Dragon Tattoo.”

But, even I, who have EXTREMELY HIGH expectations for any story, have to admit that this is shaping up to be, if nothing else, a really entertaining yarn. It’s the kind of story that will suck the reader in pretty fast just because they will want to see how I have a part-time sex-worker solve a murder mystery, if nothing else.

And, yet, I am so blasé and matter-of-fact about that element of the story, that I’d like to think it will be a unique twist to what people will compare it to — the “hooker with a heart of gold” and “sexxy, slutty assassin” tropes.

But there’s one thing I know — you just can’t win. If you take any risks, you are BOUND to somehow, someway offend a small, vocal minority of the audience who will be mad specifically because a smelly CIS white male dared to do anything other than stare at the ceiling and twiddle their thumbs.

So, I press forward.

I still need to work on a backup novel or two. But it’s tough. It’s really tough.

I Continue To Use ‘The Girl Who Played With Fire’ As My ‘Textbook’

by Shelt Garner
@sheltgarner

While on a substantive basis, my novel is totally different from any of Stieg Larsson’s work other than a few “form follows function” quirks, I do continue to use the second novel in his Millennium series as my “textbook.” Whenever I have a question about structure and the like, I think back to my careful study of that novel and act accordingly.

It took me forever to figure out the structure of The Girl Who Played With Fire until I learned that it was actually the first half of a bigger novel. THEN things started to make sense.

I still hope to fall within the sweetspot of about 100,000 words for this novel. AND I have decided to to pretty much totally rework the first half of the second act so things are a lot more clear and focused.

That, at least, is the goal.

I really need to stop screwing around and get things done sooner rather than later.