by Shelt Garner
@sheltgarner
So. I know the framework I want to use the flesh out the relationship between my heroine and the male romantic lead: the troubled, tense relationship between Daisy Jones and Billy Dunn.
If I can figure out how to replicate the conflict between those two as my novel begins and have things change in by the beginning of the second act, I will be quite pleased. I like the idea that two people who love / hate each other decide to work together for a specific reason.
If I can convince my audience that my heroine and the male romantic lead have a really troubled past as we make our way into the second act, I will be very pleased. It’s going to require a lot of work, but I know I can pull it off.
Wish me luck.
