by Shelt Garner
@sheltgarner
It is possible that the Russo-Ukrainian War may evoke a rather abrupt “vibe shift” in American popular entertainment. It could be that the next few years will see the rise of War Movies becoming popular again.
We could see movies set during the various wars the United States has been a part of over the years. And, sadly, we might see more than a few movies set in WW3. So, here’s my pitch for a movie like The Day After.
Act 1
A series of people from all walks of life are seen getting onto a plane in NYC for a cross-country trip to LA. In between their farewells (which would establish each character) we hear bits and pieces of an escalating war somewhere off in some distant land.
Inciting Incident: Now, while they’re up in the air, there’s some sort of emergency. They have to make an emergency somewhere in the midwest.
While there on the ground for what is meant to be a short amount of time, WW3 breaks out and everyone across the US EMPs zap electronics. So they’re stuck in, say, Iowa somewhere.
Act 2
So, the first part of the second act would be the different people on the plane making new friends and realizing that suddenly everything is existential. They now have to figure out what to do. A small group, maybe four or five people, are now a group and they head out of the Iowa city they’re in (chaos is beginning to take over.)
Midpoint: they finally find a small town in the middle of nowhere that will take them.
The latter part of the second is about how this diverse group of people begin to deal with their lives are changed forever. This is when one of the people on the plan begins to grow power hungry and becomes a Trump-like demagogy.
The end of the second act is when people start to realize that Nuclear Winter is here for a while and there’s a chance that they’re all going to die. The power hungry fromer passenger begins to kill people and our small group of goodguys from the plane have to figure out what to do.
End
Things appear to get better when American troops from a part of the country that hasn’t been struck by a H-bomb try to come to save the day. But they come too late — some of the passengers we’ve been focused on have been captured and are set to be killed.
The climax is a Zero Dark Thirty type attack on the villian’s lair.
Our core group of people are saved and the move ends with them heading west to safety and the continue struggle of living in post- limited nuclear exchange America.
