by Shelt Garner
@sheltgarner
I’m essentially using the method of development for the structure of a big story that I have formulated over the last three years to now work on a screenplay. The scifi movie concept is set in the far future and has is very much a warning about both the threat of MAGA and global climate change.
One thing I’ve noticed as I actually develop this screenplay’s outline is how much more native and organic outlining a screenplay is for me than a novel. There is a very strict rule when developing a screenplay — more screen time equals more attention directed to a concept or theme.
This also exists for novels, of course, but the whole dynamic of how you handle this is different for a screenplay. Because it’s on the screen, there are all these tricks you can use to really stress to the audience in a subtle way that this or that thing is REALLY IMPORTANT.
As such, I find myself flexing a different part of my creative mind as I go through the scenes of the outline. It’s a lot of fun.
And now that I’ve severely broken my right ankle and I’m literally unable to do anything but sit in front of my laptop every waking hour, it’s at least possible I’ll be able to focus a lot more attention on my various side projects over and above the four thriller novels I’m working on.
All that is the goal, at least.
I’m struggling to find a silver lining in this dumb, freak accident. And, if nothing else, if I ever reach my “potential” I can look back and all of this will be a funny story I can tell on the TV talk show circuit.
