Querying My First Novel Will Be Brutal

by Shelt Garner
@sheltgarner

Tomorrow, the day after my birthday, is kind of my January 1st. I have vowed to myself that this will mark a new era in my life where not only do I lay of drinking so much, but I also really buckle down with the novel.

I’m watching House of Cards a decade after everyone else.

I have something of an idyllic situation on my hands when it comes to developing and writing a novel and it could change literally at any moment. Then I’m going to look back at this moment in my life and be smarting that I didn’t take more advantage of it when I had the opportunity.

And, yet, having said all that, I know, just know, that once I transition from the delusional la-la land of developing and writing a novel into the cold, hard reality of querying that I have to prepare myself for A LOT of disappointment. I’m already preparing myself to piviot to a few scifi concepts while I query.

The biggest problem I can sense about this novel is it’s just not dark enough. Not enough fucked up, twisted things happen. But, having said that, I have come up with more than one reason for people to keep reading during the really long first act — there’s intrigue and lots of sex — some of it kinky, if consensual.

My heroine has a sleeve tattoo similar to this one on Megan Fox, even though I thought of the idea before I saw this.

I like the idea of talking about kinkier sex in a mater-of-fact, consensual way, even though it’s easy for it to be all rather funny. But, I can’t help myself. That’s just my nature — to be kind of droll instead of dark, twisted and scary.

I Have A Villain Problem

by Shelt Garner
@sheltgarner

Watching “House of Cards” about a decade after everyone else has really opened my eyes to how piss-poor the villains of my novel are. I know what’s happening — my writing and storytelling ability is really getting a lot better so some things I didn’t really think about at first are coming to the forefront of my mind.

House of Cards

The villains of Stieg Larsson’s novels are horrific, while mine are just…there. There’s nothing really scary or notable about them. This is all happening so late in the process, of course, that I have only a limited amount of time to improve their characterization.

But I’ve at least realized it now, rather than when I try to pitch the novel.

I really need to dig deep — fast — and think up ways to make my various villains memorable and hateful. This is going to be really difficult because my usual way — which is to drift towards my goal and daydream until I come up with a solution — just isn’t going to cut it.

If I use that method, it could be next year before I nail down everything and I just don’t have time. Around July 22 – 23 is my deadline and that’s what I have to work with. If I don’t get where I need to be by that point, I’m really afraid that the window of opportunity I have to sell this novel will close and we’ll all be consuming AI generated entertainment, or the fucking Fourth Turning will happen — you name it.

Anyway. Onward.

Watching House Of Cards 10 Years After Everyone Else Has Been Eye Opening From A Storytelling Perspective

by Shelt Garner
@sheltgarner

They say if you have time to write you have time to read — or watch. And, now, 10 years after everyone has finished watching House of Cards, I’ve finally gotten around to watching it. And one thing is clear — I really need to up my game when it comes to my villain(s).

House of Cards

I don’t really show my villains that much and I really need to give their scenes more thought. I need to squeeze their hate out of them as much as possible while they’re on the screen — or page. The audience of the type of genre I’m working with — mystery-thriller — expects a lot more hate and nastiness form their villains than I’m showing them at the moment.

As such, I’m going to keep watching House of Cards and mentally take notes as to how to SHOW how hateful the evil people in the story are. I think some of it is just the natural transition from second draft to third draft. My storytelling ability is getting better and, as such, I’m feeling something of a learning curve that is going to slow me down some.

My heroine looks like Nathalie Emmanuel as I write her.

But I can’t slow down. I have to press forward. I’ve given myself a hard deadline of about July 22 to wrap up the third draft of this novel. That will be the 20th anniversary of my first trip to Asia. I want to be able to think to myself, at least, that I’ve written a mystery-thriller that I can be proud of, even if I then will have to piviot to querying.

So, that’s the goal — a finished third draft of my first novel by July 22, 2024.

I Have A Pretty Great Novel On My Hands

by Shelt Garner
@sheltgarner

I have very, very high standards for myself when it comes to storytelling. To the point that it’s very, very difficult for me to consume anyone else’s storytelling if it doesn’t meet what I believe is the quality worth my consumption. I’ve just started watching House of Cards and it is one of the few TV shows that actually DOES meet what I think is the “right way” to tell a story.

My heroine looks like Nathalie Emmanuel as I write her.

It joins TV shows like Mad Men, 30 Rock, Mare of Easttown and Fleabag as TV shows that linger in my mind as I struggle to write my novel.

Having said all that, I’ve finally reached a point in the development and writing of the third draft of this novel where I feel I’m coming into my own. This novel is really fast paced and accessible. While there are some obvious issues — it’s still not dark enough and there’s probably too much sex in the first act — the actual characters and what their motivations are really strong, interesting and intriguing.

Now, for me to sprint to the end of the first act, beginning of the second act which was the first act of the second draft of the novel. I’ve been re-writing a lot of the novel as I’ve transition from the second to third drafts and that has slowed me down.

But I’ve gamed out the entirety of the fourth chapter of the third draft and I think I’m going to cool it for about a day so I can throw myself into writing it all as quickly as I can with fresh eyes. I don’t want to “run hot” and overheat and over extend myself.

In general, however, this novel is beginning to shape up in a way that I feel I won’t embarrass myself when I try to query it later this year.

A lot is going to depend on luck now, I think. Given my vision for the total of six novels in this project if ding-dong Trump becomes POTUS again and we turn into an autocracy, then, lulz, I think this is going to be a very successful series of novels.