by Shelt Garner
@sheltgarner
Maybe it’s because it’s a song-and-dance app, but I’ve seen a lot of disco-themed dancing on Tik-Tok of late. I generally fucking hate most disco because I’m more of a dance pop rock person. I like at least a bit of edge to what I listen — or dance — to. I’m well aware of the meta-social-gender aspect of how great and wonderful the Age of Disco was because the patriarchy was slayed and everyone was free to be gay and do coke off a twink’s ass.
Ok, I get it. And that’s a valid argument –I still fucking hate most disco.
I want music that’s got a beat and you can dance to it — but of the pop rock variety. We’ve had almost 20 years of shitty music that inhabits a vague space known as “Adult Contemporary.” It’s bland, corporate and non-threatening. And, yet, oddly enough, in just the last few years, it’s clear that a number of huge artists are hot on the trail of The New Sound.
For instance, Miley Cyrus keeps covering old rock and New Wave chestnuts as if she knows what she wants to sing — but she can’t find it in modern music. Her latest album is soooo close to what I imagine Rona Rock, the New Sound, would be like.
Meanwhile, Olivia Rodrigo is doing something similar. Her debut album has a lot of wink and nod references to New Wave music. And, yet, it’s still a pretty safe album. It’s pretty much just a pop album full of songs that could be safely played next to an Ariana Grande song on existing Top 40 radio.
It’s Chvrches’ “Screen Violence” album that is exactly what I’ve been looking for. It’s an album that is essentially a throwback to the good old days of dance pop rock by way of Chvrches synth stylings.
But the point is — all I would need is the first 10 seconds of “How Not To Drown” and I would play it at Nori in Seoul on a Friday night in late 2006. (Another song from that album, “Nightmares” is a banger, too.) And I think if Miley Cyrus and Olivia Rodrigo swerved in that direction with their next albums that it would be a two-fer: old farts like me would love and the youngins who know jackshit about music produced before cellphones would also sit up an take notice.
And, yet, absolutely no one listens to me.
