by Shelt Garner
@sheltgarner
The novel is shaping up to be an even bigger creative project that ROKon Magazine which totally consumed my life for about eight months in late 2006 to early 2007. I’ve been working on this novel for what feels like forever, but I think it’s probably close to about three years.
Finally, finally, things have clicked.
But I still have a huge amount of work to do. I’ve learned a lot about how to structure a novel over the last few years and one thing that’s becoming clear is you need to read your stuff as you write it. If you do that, then you catch problems with pacing before you show it to other people.
I’ve spend all day today getting the sequence of events in this novel just right. It’s been exhausting, but well worth the hard work. I really feel like how I felt with ROKon Magazine at its height when I was lugging a backpack full of magazines around Seoul. It felt as light as air.
So, spending about 12 hours throwing myself at this novel today was a breeze. I know why I was working so hard — I have something I need to do and I was avoiding doing it by working on the novel.
Another thing I’ve learned is you need to map out scenes. At least I do. Mapping out individual scenes before you write them is a great way to force your characters to do what you want them to do. They don’t have any opportunity to do anything unexpected.
The key thing I’m focusing on with this novel is readability. I want these two novels to be such fast, easy reads that you zoom through them. I want you to look up from reading these two novels and realize it’s 4 a.m. on a Thursday morning and you’re willing to stay up all night to read them.
The last time I felt that way was while reading the book I’m using as my “textbook:” The Girl Who Played With Fire, by Stieg Larsson. The two novels I’m working on are so different from Larsson’s stuff in some ways that you would be hard pressed to believe there’s any connection between what I’m writing and what he wrote
He was a better storyteller than I am (at least at the moment). But I’m getting a lot better. I still think I might need to do some character studies to make what I understand about my characters to be more concrete. Right now, everything is pretty much in my mind. This lends to a huge amount of flexibility, but it also leads to problems of canon management.
Anyway, I hope to get into the second act of the first draft pretty soon. Hopefully, in the next few days. I’m trying to write these two novels as one big story that just happens to be told in two self-contained novels. Then it will be easier to sell both books.
